"This certainly is also intended as a premonition and warning in sight of current and soon-to-be experiences. The well composed music is backed by a concept that is dealing with sorta political landmark occurrences from the western history. Consequently, first and foremost there's a dramatic and melancholic keyboard / synth presence to state, which includes the mighty Mellotron too. A special trademark is the intensive use of partially wellknown speech samples, chronologically ranging from Goebbels to Trump. This is well-intentioned, though I'm still torn if it's overshadowing the musical component too much."
| 1. | Wannsee (1933-1945) 5:15 |
| 2. | Stettin (1945-1963) 4:20 |
| 3. | Houston (1962-1974) 4:40 |
| 4. | |
| 5. | |
| 6. | Schengen (1989-2022) 4:23 |
| 7. | Mariupol (2022-?) 12:15 |