"Well aware that Reinxeed's music belongs to that branch of über cheesy Euro power metal that just does not sit well with me, I decided to give the latest album a change. After all, I was kind of positively surprised by "1912". However, this one is so cheesy that it definitely cannot be good for my cholesterol count. Still, there is something about it that I kind of like.
The main theme of the album is the cinema, and thus the songs are inspired by Hollywood box office breakers and blockbusters. For instance, 'Life Will Find a Way' seems to be about the dinosaurs of the Jurassic Park series, while 'Follow Me' is full of references to The Force and other things Star Wars. 'Save Us' is about the X-Men, and - not surprisingly - 'Stranger Tides' is inspired by 'Pirates of the Caribbean', and 'Somewhere in Time' is not an Iron Maiden cover song, but a song about Marty McFly and Doc Brown's adventures in their time-traveling DeLorean. 'Freedom', I presume, is inspired by the Braveheart movie, and 'No Fate' deals with the age-old theme of man versus machine (I am not sure exactly which movies it refers to, but references to Judgment Day would seem to indicate that it might be the Terminator series). 'Temple of the Crystal Skulls'... well, Indiana Jones fans will figure this one out. 'Welcome to the Theare' offers a potpourri of references to various Hollywood classics.
With such a main theme, the music can only be epic and cinematic. Rather than using a real orchestra, this effect is achieved through midi- and synth effects. Unfortunately, this ends up sounding artificial and, along with Tommy Reinxeed's voice and vocal melodies, a major generator of cheese. Musically, we are dealing with almost stereotypical Euro power metal with pounding bass drums, big epic choruses, and an overall larger-than-life air. Overall, this is kind of a turn-off for me.
Or it should be, because there are a couple of songs that really blew me away on this release. I really like the over-the-top epic swashbuckler 'Stranger Tides', which, in my book, counts as a proper pirate metal song. 'Somewhere in Time' - mega epic as it is - also features a lot of good stuff and manages to actually evoke the atmosphere of the movies. I also like the heavier 'No Fate' which is based on a chucking and galloping riff, and, despite a level of cheesiness that rivals the infamous Five Cheese Pizza, I actually like 'Temple of the Crystal Skulls'. Also, there are plenty of good things in most of the songs on the album, such as the uplifting Euro power metal energy - which really works, when it works, and here it works - and Tommy Reinxeed's sublime guitar solos.
So, even for me who does not normally like cheesy power metal, this album has something to offer. It's too much cheese and too little pepperoni for me in one go, but I can definitely enjoy this album a slice at the time.
In all "Welcome to the Theatre" is an extremely cheesy power metal release (and deliberately so, I think), whose epic air almost matches that of the movies which it is inspired by. If you do not like Euro power power metal, you will absolutely hate this release, but fans of Euro power metal and symphonic metal should absolutely adore this release.
(review originally posted at metalmusicarchives.com)"