"Power metal lives on...
"Collision Course" is certainly a good listen if you like European style power metal with its epicness, melodic patterns and symphonic nature. The album is perhaps not terribly original, but, of course, if it ain't broken then why fix it? And, I tell you, it's not broken. The songs work fine, and there's plenty of interesting instrumentation; in addition to the classical rock guitar-bass-drums(-keyboard) set-up, the album features cellos, percussion, violins, accordions and woodwinds... all of which contributes to the overall epic feel."
"This is a tremendously well done album. I'm not sure if it satisfies the requirements that some people define for prog music, but it does for me.
The foremost quality of this album is the level of sophistication in every aspect of the music - the production, the songwriting, the arrangements, the vocals etc.. I think that this album is a perfect combination of their previous albums The Mission and Eyewitness. It is much more diverse than The Mission, and much more complex than Eyewitness.
There are many unusual sounds they rarely used before. The only problem for me is that most of the songs are based on standard rock song structures, reminiscent of Deep Purple and Whitesnake. But they add so much complexity, neo-classical interludes, solos etc. that it never get's boring - if you're into that kind of music."
"This is a very pleasant metal album. It would be an excellent addition to any metal collection, but it's not really a progressive album like their 90s albums, so they get one star less than they would deserve from a metal standpoint.
The tracks are all quite ok, no fillers. The production is very good, with the guitars and vocals dominating the mix.
There are a few standout tracks: Wicked Lounge has extremely cool lyrics and saxophone, a very laid back track compared to their usual neo-classical prog metal. The Prayer features church organ and majestic vocal arrangements ... their singer is phenomenal. Most of the other tracks are power metal songs with occasional glimpses of neo-classical interludes and solos on synth and guitar."
