Welcome to Awesome Prog!

A new collaborative project with roots in Chile, Canada, USA, initiated by John (guitars) and Francis Clark (bass). The essence of this 12 entertaining tracks is very much related to Jazz Fusion, but not exclusively. It's definitely more varied, thus entertaining, due to several Ethno / World and Art Rock elements also added to the music.

Yep, stay for the ending. The Chicago-based musicians continue to push themselves to new heights in music making. Conceptually the album traverses a vast array of themes that are exploring the human condition in general. Ten new atmospheric as well as heavy rocking cross genre explorations are available, adorned with Leslie Hunt's haunting lead vocals. The band once again delivers round about sixty tricky, varied and passionate minutes.

They are hailing from the vivid cultural melting pot Berlin. Quite diverse musicians are aboard on each and every album, where drummer Nicolas Sheikholeslami makes the driving force in general. Now this album sees six collaborators involved. Their music is based on an improvisational attitude and a proper focus on the synthesizer input. This is very much Krautrock inspired, just in the vein of bands like Can, Brown Spirits, diverse Aidan Baker projects, and even Embryo due to some Ethno World imprint. They also had some sessions with ex-Can singer Damo Suzuki, and the essence then was released on another album.

It's the fifth album recorded under this moniker, after they emerged from the Antique Seeking Nuns outfit in 2008. The musicians definitely could preserve and even refine their musical fellowship. This album brings a well balanced blend of short songs and extended pieces, the latter also featuring some improvisational attitude. One significant band trademark is the great symbiosis of atmospheric balladesque Art Rock and tricky Canterbury infected episodes. Some more recognition value actually, especially when speaking of Joff Winks' unique gentle voice and acoustic guitar. Also concerning Matt Baber's looping synths and jazzy electric piano.

New mesmerizing solo musician project from the US, quite similar to the Jay Tausig approach I would say. However supported by session drummer Glen Welman and a female singer at least. The debut album is offering generously atmospheric and really captivating Psychedelic Space Rock music. Pretty much in the vein of Pink Floyd, Eloy, plus a jazzy touch occasionally. Awesome guitar work, important to add.

By re-visiting three older pieces the long-lived grandmaster band is offering a new extensive collection of inspired yet relaxed Jazz Fusion and Canterbury Rock tunes. In a strict sense no founding member is aboard anymore, but John Marshall (drums) and John Etheridge (guitars) are involved at least since the mid 1970s! Furthermore ex-bassist Roy Babbington appears on two tracks. Of course the fierceness and fast-pace rocking moments have decreased over the decades, but the original band spirit is evident as ever. It overall sounds as if they had jammed together a lot in the studio. Including the four bonus tracks the album may have been a little too long for one or two. Anyhow, this comes with great interaction and definitely valuable success, still.

Line up changes are still going on. Longtime keyboarder Markus Jehle had left. Singer Yogi Lang has taken up this part instead, though yet it's not that prominent anymore. Superficially seen the songs seem relatively harmless, after a while the compositional depth reveals anyhow. The overall feel is very atmospheric and melodic. Not their best album ever, but definitely an enjoyable affair.

Italian bands are consistently at the forefront of the movement. La Bocca Della Verità, or Mouth Of Truth ... it sounds like a characteristic RPI production ... if not the lyrics were in English. This is different to the previous 2016 album. But it doesn't matter. The band delivers some enchanting new compositions, that's the real truth. They frequently let it rock, moreover a lot of emotion, atmosphere, melancholy is available. A concept based on a clever blend of retrospective as well as contemporary impressions. Highly recommended.

Mustafa Khetty's sophomore album has been implemented by a re-formed five-piece project. The new staff practically has nothing in common with the previous one, though again is consisting of seasoned musicians for sure. And music-wise this differs quite a lot too. The eclectic World Music component has decreased, yet for the benefit of a straighter rocking presence. And this is quasi culminating in a Deep Purple cover. Musicianship and production is almost perfect, but from the compositional point of view the debut album 'Mozaick' appears way more challenging.

The album showcases an unpredictable yet pleasant flow, this featuring significant heavy sentiment. Awesome guitar work above all. Quite theatrical operatic styled execution regarding the vocals.